We welcome this confident setting by John Purifoy of a classic hymn. Energized with effective choral techniques, this anthem is an ideal festive introit for any service. Brilliant brass and jubilant
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This brief benediction glows with gentle joy and hope. Easily learned, the winsome melody rises like a prayer before settling into a richly rewarding "amen." Either as a service closer or a meaningful tag
This musical blessing was written by Dennis and Nan Allen, and arranged and orchestrated for SATB choir by Dennis Allen. With lush harmonies and a worshipful and tender text, this may be used as a
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This Celtic-style anthem is easy to sing and very accessible to most choirs. Vocal ranges are reasonable, and the piano part is very supportive. What a perfect way to end your worship service.
This extraordinary benediction is dedicated to Clare College in Cambridge, where John Rutter taught for a number of years. The tranquil setting, vocal ranges, even the choice of tempo and key is remarkable
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Beautifully capturing the essence of a traditional Gaelic blessing, this original setting evokes the natural tranquility of a "gentle night" where the "moon and stars pour their healing light on you." The
Nuanced and gentle, the text of this piece is steeped in worship and affirms the journey of faith. At just under two minutes, this is easy to learn, singable, and provides a prayerful and memorable moment
The third movement of the trilogy Divine Encounter is a benediction based on the traditional text from Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the
With a joyful flourish, this fanfare on the traditional OLD HUNDREDTH employs colorful sequencing harmonies and optional orchestration to add majesty to this brief, powerful offering. Chorusing amens rise
In Spanish and English, this setting of an Easter Alleluia uses SATB voices, cantor, assembly, keyboard and guitar with C instrument, trumpet, cello and percussion. The instrumentation adds layers of joy to
Seven different verses from the lectionary are included in the octavo, each focusing on some aspect of the word of God. In its simplest form, it can be performed with assembly, cantor and keyboard. There
This extraordinary setting of the traditional Gaelic text has been a perennial standard ever since its original publication in 1978. It's a strong choice for more experienced choirs.
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Treasured by many as a closer for Lord's Supper observances, this lush arrangement expands beyond the typical one-verse congregational moment and brings about a choral offering of beauty and grace. Two